Unleash a violet haze that bleeds into your shadows and scorches your highlights. Cineviolet 6 is 35 mm remjet-free Kodak Vision2 500T (Vision 5279) stock, hand-loaded “backwards” for a red-scaled, purple-first exposure. Each frame still carries tiny flecks of residual remjet—especially in stubborn spots like perf holes—giving you organic noise and unpredictable texture. Process in ECN-2 for full cinematic latitude, or cross-process in C-41 for punchier grain and warmer contrast.
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Key Features
• Remjet-Free Base
No continuous remjet backing—compatible with most C-41 labs by default.
• Residual Remjet Grit
Tiny clinging specks in sprocket holes and edges add micro-stars of texture and scratches.
• Lab Notice for C-41 Only Processors
If your lab handles C-41 exclusively, please pre-bath or run a brief remjet-removal cycle (baking-soda pre-soak) to avoid channel contamination.
• Home Development Friendly
In-home ECN-2 and C-41 developers know the drill: a quick warm water pre-soak or gentle detergent bath will clear any remaining particles.
• Rich Purple Hues
Lavender mid-tones, violet highlights and inky blacks combine for an otherworldly palette.
• Full Dynamic Range
ECN-2 preserves maximum detail from shadow to highlight; push or pull to taste.
• Dual-Process Versatility
ECN-2 for true cine look; C-41 cross-process for high-contrast warmth and amplified grain.
• Artisanal, Small-Batch
Hand-rolled, hand-inspected, limited availability—embrace the analog soul.
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Why Photographers Love Cineviolet 6
Cineviolet 6 isn’t just film—it’s a mood. Landscapes glow with haunted, violet sunsets; portraits take on a mythic warmth laced with textural grit. It dares you to celebrate flaws and find beauty in the unexpected.
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Quick Tips for Shooting Cineviolet 6
1. Meter for Mid-Tones: ISO 6–12 for deep violets; ISO 25–50 for balanced purples.
2. Control Contrast: Push one stop (EI 12) in ECN-2 for heavier grain and deeper shadows; pull one stop (EI 50) for softer tones.
3. Notify Your Lab: Clearly state “remjet-free Vision2 500T, residual particles possible—prebath required for C-41 only processing.”
4. Home Pre-Soak: Warm water + baking soda (or Kodak Prebath) before development will clear rogue remjet.
5. Embrace the Grit: Scan at high resolution and boost clarity to reveal remjet flecks as textural highlights.
6. Experiment with Light: Backlit scenes flare beautifully; diffused clouds yield a pastel-purple dream.
7. Join the Conversation: Share your shots with #ShootCineviolet6—swap tips, trade scans, inspire each other.
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Frequently Asked Questions
• Is there any remjet layer?
No continuous remjet coat—but tiny remnants may linger in perf holes and edges.
• How should labs process this?
ECN-2 is ideal. C-41-only labs must perform a remjet removal or prebath step.
• How do I develop at home?
A warm water pre-soak with baking soda or dedicated prebath chemical clears residual particles.
• Can I push or pull?
Yes—push one stop (EI 12) for heavier grain; pull one stop (EI 50) for softer violets.
• Where can I develop it?
Any lab with ECN-2 capability. For C-41 cross-processing, ensure they follow the prebath/removal step.
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Order Now – Limited Stock
Single roll (36 exp) of Cineviolet 6—secure yours before they vanish. Multiple-roll discounts: 10% off 2 rolls, 15% off 3+ rolls.
Step into the violet frontier—let every frame sing with distressed, remjet-kissed soul.






























